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Rule number 6. Light and shadow - the service of beauty


In make-up you need to follow the same principle as in the selection of attire - we emphasize the merits, mask the weaknesses. In a sense, the donuts have more luck with the skin than thin girls. As one girlfriend jokes, plus a kilogram a year - and no wrinkles!

For a stunning visage, you need to learn how to pull the facial contours, hide your cheeks and emphasize your eyes.
The most important mistake is to spread an even layer of monophonic cosmetics that turns the face into a flat pancake. There will not be decorated with pronounced horizontals - thick eyeliner on the eyes, powerful (and even more fused!) Eyebrows a la Brezhnev.
Embossed, chiseled face will help create well-combined tonal resources. The combination of dark and light, matte and brilliant helps to visually change and "lose weight" facial features.
Make-up artists, who have been working with me on the Dom-2 project for many years, told me a lot of interesting things. It turns out that the choice of foundation depends on the type of your skin. Greasy tonal remedies - creams, correcting pencils and cream blush - are more suitable for girls with dry skin and older women, because they provide substantial hydration and nourishment.
For those who have normal and fat-prone skin, dry correction of loose or pressed powder, as well as blush and bronzator, is more suitable. However, it is worth remembering that all powdered products can emphasize fine wrinkles, this is especially noticeable when applying the powder to the delicate skin around the eyes.
As a rule, fat correction is kept on the face somewhat better than dry and more suitable for active pastime, for example, at a holiday or on the set and on the stage. If you prefer dry products, it is important to choose products with a light texture - even if you slightly overdo it with the amount, the layer of cosmetics will not be noticeable.
Another professional secret makeup artists - the use of shimmery, giving the skin a glow. They are indispensable when creating the correct relief, but such funds in no case can not be applied to the whole face. If an even tone creates the effect of a flat pancake, then a shimmer in the light will still give it a desperate oil glitter. When applied to certain areas, on the contrary, it makes your appearance healthy and radiant.
So, we move from common words to deeds. I highly recommend reading these recommendations to have a mirror and a cosmetic bag next to them in order to reinforce the theory with practice.
We have to perform a visual reduction of the cheeks, the selection of the cheekbones, modeling a graceful nose. Proper makeup even reduces the second chin, if you have one. In order to cope with this task, you will need several cosmetics.
1 Foundation or powder that matches the color of your skin.
2 Means for one or two tones are darker than skin.
3 Shimmer.
4 Blush.
Not for nothing, I called this rule of visual "slimming" of the face "Light and shadow - at the service of beauty", because it is their game that will allow us to achieve the desired effect. Those parts of the face that need to be reduced will be covered with a darker matte texture. Highlight need to be radiant means of the same shade as the skin. Remember how we hid the fullness due to dark clothing in the center and light at the edges? With the face we will do the same.
We paint the forehead, nose bridge to the tip of the nose, cheeks under the eyes, the chin and the skin around the lips with a toner of the native shade. Apply a little darker on the contour of the face, cheekbones, wings of the nose and neck. Fill the border between the two tones carefully, the transition should be very smooth, while the darker cream or powder should harmoniously border your facial contours, a lighter shade around the lips should form an area that resembles a wide smile. In principle, for the first time you can remember the Joker smile from the Batman saga. Then you learn to emphasize the natural beauty and face without memories of cine villain.
Now it was the turn of rouge. Using a wide brush, use natural nap to make soft diagonal strokes from bottom to top on the cheekbones. It is better to strive to perform them higher, in any case not on the “apples” of the cheeks, which are rounded off with a wide smile. Lightly walk along the center of the chin and along the outer edge of the upper eyelid. In order not to miss the eyes, feel the eye socket just below the eyebrow - you need to navigate along the edge of the bone, without getting into the recess. Another pair of ruddy strokes on the forehead. Two diagonals below the growth of the hair should form the sides of a diamond with a blush on the cheekbones.
Finishes working with a tone of the application of a chimmer. Slightly on the skin above the hollow of the upper lip, slightly on the bridge of the nose, slightly under the eyes from the outer corner towards the center of the face.
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Rule number 6. Light and shadow - the service of beauty

  1. Article 25. Rights of military personnel and persons equated to medical service with military personnel, as well as citizens performing alternative civilian service, citizens subject to military service (sent to alternative civilian service), and citizens entering military service or equivalent to it contract health service
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