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Rule number 6. Light and shadow - to the service of beauty


In make-up you need to follow the same principle as in the selection of the attire - dignity emphasize, the shortcomings mask. In a sense, pyshki more luck with the skin than thin women. As one of my friends jokes, plus a kilogram a year - and no wrinkles!

For eye-popping make-up you need to learn how to stretch the face oval, hide your cheeks and emphasize your eyes.
The most important mistake is to spread an even layer of plain cosmetics, turning the face into a flat pancake. Do not decorate and pronounced horizontal - thick eyeliner on the eyes, powerful (and even more so fused!) Eyebrows a la Brezhnev.
A relief chiselled face will help to create competently combined tonal means. The combination of dark and light, matte and shiny helps to visually change and "lose weight" facial features.
Makeup artists who have worked with me for many years on the "Dom-2" project told me a lot of interesting things. It turns out that the choice of the basis depends on the type of your skin. Oily tonal remedies - creams, correction pencils and cream blushers - are more suitable for girls with dry skin and older women, because they give substantial moisturizing and nourishment.
Those who have normal skin and are prone to fat, more suitable for a dry correction of crumbly or pressed powder, as well as blush and bronzers. However, it is worth remembering that all the powder can emphasize fine wrinkles, especially when the powder is applied incorrectly to the delicate skin around the eyes.
As a rule, a fat correction keeps on the face somewhat better dry and is more suitable for active pastime, for example, on a holiday or on a set and stage. If you prefer dry means, it is important to choose products with a light texture - even if you overdo with the amount a little, the layer of cosmetics will not be noticeable.
Another professional secret of makeup artists is the use of shimmers that give the skin radiance. They are indispensable in creating the right terrain, but in no case can such a tool be applied to the entire face. If a smooth tone creates the effect of a flat pancake, then the shimmer in the light will still give him a desperate oil shine. When applying funds to certain areas, on the contrary, it makes your appearance healthy and radiant.
So, we move from general words to deeds. I highly recommend that when reading these recommendations, you should have a mirror and a cosmetic bag next to you to fix the theory with practice.
We have to perform visual reduction of cheeks, highlighting of cheekbones, modeling of an elegant nose. Proper make-up even allows you to reduce the second chin, if you have one. In order to cope with this task, you will need several cosmetics.
1 A toned cream or powder that matches the color of your skin.
2 Remedy for one or two shades darker than the skin.
3 Shimmer.
4 Blush.
No wonder I called this rule of visual "slimming" of the person "Light and shadow - at the service of beauty", because it is their game that will allow us to achieve the desired effect. Those parts of the face that need to be reduced will be covered with a matte texture of a darker color. To distinguish the beauty you need a shining tool of the same shade as the skin. Remember how we concealed the fullness at the expense of clothes dark in the center and light around the edges? With a face, we will do the same.
The forehead, the bridge of the nose to the tip of the nose, the cheeks under the eyes, the chin and the skin around the lips are painted with a tonal of native hue. The agent is slightly more darkly applied to the contour of the face, cheekbones, wings of the nose and neck. The boundary between the two tones should be carefully shaded, the transition should be very smooth, while a darker cream or powder should harmoniously outline your face oval, a lighter shade around the lips should form an area resembling a broad smile. In principle, the first time you can remember the smile of the Joker from the saga of Batman. Then you will learn to emphasize natural beauty and faces without the memories of a movie villain.
Now it is the turn of blush. With a wide brush of natural napes, make soft diagonal strokes from below upwards on the cheeks. It is better to strive to fulfill them higher, by no means on the "apples" of cheeks, which are rounded with a big smile. Lightly pass through the center of the chin and along the outer edge of the upper eyelid. In order not to miss with your eyes, feel the eye socket just below the eyebrow - you need to navigate the edge of the bone, not climbing into the depression. Another pair of ruddy strokes on the forehead. Two diagonals below the hair growth should, as it were, form the sides of the rhombus with a blush on the cheekbones.
Completes the work with a tone applying a shimmer. A little on the skin above the trough of the upper lip, slightly to the bridge of the nose, just under the eyes from the outer corner towards the center of the face.
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Rule number 6. Light and shadow - to the service of beauty

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